single-exhibition.php

CANCELLED: Curatorial Tour

Translate 翻譯


The electronic translation service is hosted by Google Translate. The quality of the translation may vary in some of the languages offered by Google. The goal of the basic translation is to capture the general intention of the original English material.

Google Translate is a free service and currently offers translation in over 50 languages.

Richmond Art Gallery cannot guarantee the quality, accuracy, or completeness of any translated information. Before you act on translated information, the City encourages you to confirm any facts that are important to you and the decisions you make.

Saturday, November 2, 2019

1:00 PM - 2:00 PM

Join the exhibition curator Shaun Dacey for an in-depth tour of Cindy Mochizuki: Cave to Dream and Jon Sasaki: We First Need a Boat for the Rising Tide to Lift Us. 

Free admission, everyone welcome to attend.

No registration required, just show up!

 

About the exhibitions:

Cave to Dream brings together speculative fiction, experimental cinema, ritual, magic, and live-performance storytelling. Mochizuki’s distinctive handwork is evident in the spirited and tender ink and wash drawings that form the animated imagery in the films. Small-scale theatrical sets, masks and porcelain game pieces crafted by the artist for the performance expand her aesthetic expression into three-dimensional space.

We First Need a Boat for the Rising Tide to Lift Us  channels an absurd romantic hero who finds himself nearly engulfed in nature. Sasaki relies on his ability to problem solve as complications arise and to improvise solutions in the moment. Performed in Steveston, the home of his pre-internment Japanese-Canadian family, this new iteration of a past work takes on added dimensions. Documentation of the performance and ephemera of the performance will be included in the exhibition.

 

 

Above: Above: Cindy Mochizuki, Cave to Dream (installation view), 2019. Below: Jon Sasaki, We First Need a Boat for the Rising Tide to Lift Us, video still, 2019.